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Industrial Silence | (And Save the Date!) #MakeAmericaCreateAgain at CoCA

March 20, 2017 by Iskra Leave a Comment

Industrial Light Photograph by Iskra Johnson
Industrial Silence, © Iskra Johnson

Industrial silence is a three part harmony of dripping rust, heavy metal and the slanting light of late afternoon. If you listen carefully you can hear walls corrugating and wire mapping a path through the milky green of ancient skylights. In the distance, there is the hum of large trucks idling, and close up the interrogating roar of generators programmed to shock a tourist out of reverie. There is always the cantor and the choir of crows and gulls, one shrieking, one mewling, and sometimes thin coils of rubber poised like snakes. Most of the written words are warnings. Wear your steel toe boots, don’t touch, don’t trespass, turn this crank to the left and then up, do not drink what is in this barrel, although I always hope somewhere in the sans serif commands I will find an anthemic “raise high the roofbeam carpenters!”

Every silence is different, but each one reminds me of the other, so as I walk through train yards and factories on Sundays when everyone is gone I also think of Berlin, [Read more…]

Filed Under: Drawing, Iskra Shows, Upcoming and Past, Photocollage, Prints Tagged With: Charles Sheeler, CoCA, industrial art, Iskra shows, precisionism, writing on photography

The Art of Infrastructure

February 11, 2017 by Iskra 2 Comments

“For poets of the ordinary nothing has to be something else to be more than what it is.”— Anon

For People who Like Orange, industrial art print by Iskra
For People Who Like Orange, Mixed media archival pigment print on paper or canvas, size variable up to 50″

Contain. Hold. Spill. Accept. Refuse. ref-yoos. Dumpsters put a lid on what we can’t bear to keep or smell or look at any longer, and give us the illusion that our national sin of consumer indulgence is not squandered, but instead made noble through the absolution of waste management. All that discarded packaging is repackaged and sits neatly on the street in a box. Occasionally the lid lifts at a provocative angle and stays there, held by chains and wheels in suspension and possibility. Crows come. Lunch is foraged, toasters reclaimed, and on certain days of the week someone finds a discarded mattress and takes a nap. Dumpsters have their own oratory. Although more punk rock than symphony, every city gets a daily concert of metal on metal and smashing glass, the rumble of trucks, and the quieter transcripts of disenfranchisement and identity that take place at night, each one overwriting the other with a soft hiss and the percussive shake of the little ball in its can of paint. [Read more…]

Filed Under: Architecture & Sense of Place, Iskra Shows, Upcoming and Past, Prints Tagged With: art of infrastructure, dumpster art, Magnify Seattle, museo gallery, recycled art, Seattle Art Source, urban decay

Winter Paintings from the Sea

January 1, 2017 by Iskra 2 Comments

“When a young painter said he wanted to paint the moon, someone pointed out, ”But you can’t paint the moon, the moon belongs to Max Ernst.”— from Rowing Toward Eden, By Ted Morgan

New Year’s morning has dawned with sunlight and snow. The forecast is for optimism, a lovely antidote to the last months of 2016. In spite of temperatures near freezing, my mind is on the beach. I have been finishing paintings for the Museo Gallery winter show opening in January. Although the title of the show is “Beach Party,” every rowdy bash has someone who wanders off to find shells and tumbled glass and the perfect small stone to put with the other five hundred and fifty in the back yard, and that would be me. The bright colors will have to come from somebody else’s beach towel, I am just too immersed in celadon.

Glass moon bottle photograph
Photo © Iskra Johnson

For the weeks that I have been painting water and shells Max Ernst’s “Moon in a Bottle” has floated on the periphery of my mind. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Painting Tagged With: acrylic ink, FW ink, how to paint with open acrylic, Iskra shows, Max Ernst, moonshell, museo gallery, shell painting

Iskra in Prints Today at SAM Gallery

May 30, 2016 by Iskra Leave a Comment

View Corridor, archival pigment print by Iskra Johnson
View Corridor, limited edition archival pigment print, 20 x 49 inches, © Iskra Johnson

 

PRINTS TODAY | CONTEMPORARY PRINTMAKERS

Wed June 8- Thu July 7

Reception Thursday, June 9th, 6-7:30 PM

SAM Gallery at Seattle Art Museum, 1300 First Avenue, Seattle WA 98101

 

It’s about time printmaking got some love in this town, and I am happy to say it’s big love! On June 8th Seattle Art Museum opens its much anticipated show “Graphic Masters: Dürer, Rembrandt, Hogarth, Goya, Picasso, R. Crumb. In conjunction,  SAM Gallery launches “Prints Today,” featuring six contemporary Seattle printmakers including Troy Gua, Rachel Illingworth, Curt Labitzke, Stephen Rock, Kate Sweeney and myself. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Prints Tagged With: art openings seattle, Contemporary Prints, Iskra shows, prints Today, SAM Gallery, seattle art events, Seattle artists

Mood Indigo: Under the Influence

April 13, 2016 by Iskra 1 Comment

Kimono-SAAM

Last Friday I attended the opening of Mood Indigo at Seattle Asian Art Museum. It was a beautiful spring evening, the sky luminous over the park, and inside the refined Art Deco building everything shimmered in pale shafts of daylight and the flicker of blue votives. The museum’s refined and stately ambiance makes any event an occasion, although curator talks can sometimes plunge me into deep states of cultural narcolepsy. Not this time! To hear curator Pam McClusky speak is to go to Burning Man without leaving your chair. As she told the story of Indigo she took us on a riveting journey through ancient civilizations and exotic lands, weaving history, myth, poetry and metaphor into a dazzling tapestry. In this exhibit her wit and insight is evident throughout, and every caption is worth a study. [Read more…]

Filed Under: Digital Collage, Iskra Shows, Upcoming and Past Tagged With: art and politics, Buddhis art, heron, mood indigo, printmaking, REbecca Solnit, Seattle Asian Art Museum, water image

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Playground studies: scouting the golden hour with Playground studies: scouting the golden hour with @concretespaces
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Yesterday, Memorial Day, I took on the dreaded tas Yesterday, Memorial Day, I took on the dreaded task of shopping for hiking boots for walking the border of Wales and England and roaming around Ireland. I have the kind of feet that were born to complain. I was once on an 8 mile hike in heavy leather boots I had not truly broken in and they did that thing with a crease right on the main joint of your big toe. This was approximately 1 million years ago, with 7 miles to go before I could take them off and I can still feel the throbbing. So I tried to live in slippers for the rest of my life, but this will not work on 7 to 10 mile treks through bogs and scree. There were approximately six suitors in the shoe arena, each of them screaming Ouch! Ugly! Why me and my feet! And then I found these boots and it was a heart throb of love at first sight. Please direct your hearts and prayers that are not being spent on more important things —of which there are many— towards my feet and making it through the first flush of love to actually being able to wear these shoes 10 miles a day. If things don’t go well, I may just sit in my room in Killarney or Hay-and-Wye and paint watercolors of my boots. I will take romance in whatever form it arrives.
New project in the works: Nucor Steel Plant. . . New project in the works: Nucor Steel Plant. 
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#newmediaartists #techspressionism #photographicart #nucorsteel #industrialphitography
WAKING UP WAKING UP
Thank you everyone who came out to Spotlight North Thank you everyone who came out to Spotlight North! It was wonderful to host people in my home and share the garden. Saturday morning a Golden Kinglet appeared. This is a truly magical yellow bird — so fast and so shy that I have never been able to take a good photograph. This bird only comes two days a year, first stopping in the branches of the tree above the pond and then briefly examining the moss. Before I can grab my camera, it has flown. However brief the visit, it always feels like a blessing. 

I was happy to see a range of work go to new new homes, much of it inspired by the garden and the visiting birds. This morning I am sharing images going back 20 years, of my life with birds and the garden. When I bought my home, it sat on a long mangy lawn contained by chain-link and concrete and a picket fence. It is now a wildlife sanctuary: Protect what you love.✨

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