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New Years’ Eve: In Which the Gardener Takes a Moment to Reflect

December 31, 2021 by Iskra Leave a Comment

Winter garden New years Eve

(Excerpt, from The Gardner’s Almanac of Irreproducible Phenomena December 31, 2021)

The first thing the Gardener noticed on the morning of December 31 was the color of the snow. The sun had emerged after days of gray and bitter cold, and as shadows stole across the land they brought with them a new color, “warmth,” transforming the drifts and vaguely monstrous shapes of the shrubs into benign presence. The light most particularly touched the robins, who demand warmth to ignite their color fully. On the dogwood branches the robins sat, eastward facing, their chests swelling and feathers plumping as though they had been feasting all week instead of pecking amidst tire tracks for the carcasses of worms. In another garden a varied thrush had fallen to its frozen death with a sound like lead and been buried with ceremony, its dark necklace enveloped in garnet strings and rubies as befits a prince.

Last year the gargoyle had reigned over the pond with his broken wing. For 40 years his gnarled features gave purchase to every bird who came to sit and drink from the spout pouring water. Each December, through the incantations of ancient fractals, the water carved a heart from the ice, a wet obsidian streaked by the occasional golden contrails of fish. Each year the birds descended in order of size: first the crows, then the flickers, then the robins, sparrows, chickadees and towhees, and lastly, the shy wren. The Gardener did nothing on these days but observe and laugh, and all was good.

 

The Gargoyle of Christmas Past

Long ago….. [Read more…]

Filed Under: Meditation & Buddhism, The Garden, The Spiritual in Art Tagged With: Kuan yin, new years 2021, pandemic new year, the gardener's almanac of irreproducible phenomena, the shell, What a year

Save the Date! Vashon Island Artist Studio Tour May 2018

April 9, 2018 by Iskra Leave a Comment

Cathy Sarkowsky and Iskra Johnsonstudio Vashon tour
The vista from Cathy Sarkowsky’s lovely Vashon garden

This spring I am excited to show work in the Vashon Island Visual Artist’s Studio Tour (VIVA). Vashon artist Cathy Sarkowsky has generously offered her satellite studio to me so I can be part of this annual event on one of the Northwest’s most idyllic islands. Over 100 artist studios will be open the first two weekends of May:  Saturday and Sunday 10 AM – 5 PM May 5-6 and 12-13.

Sarkowsky studio vashon island May 2018
This is the studio cottage I will be showing in.I cannot wait to settle in with a cup of tea and watch for hummingbirds.

If you recall the Gardener’s Almanac of Irreproducible Phenomena (a title designed expressly to confound google search) you may remember that I have done a large body of botanical natural history work. The Almanac is a series of vignettes that appear without warning, documenting the cycles of death and rebirth in my little backyard Eden. On Vashon Island I will have many of my garden-inspired Venetian plaster miniatures for sale, as well as a variety of prints of all sizes, including a collection of very affordable mini-prints. If you would like to see the Venetian plaster work in advance it is currently up on my site and is available for pre-sale. More work will be added in the next few weeks, so check back there or follow me on Instagram, where I will be posting these pieces throughout the month.  There will also be work from other series, including Industrial Pastorale and The Floating World.

I hope you will mark your calendar and come visit as the sunny season begins. If you live in Seattle I promise you the island will erase your urban mood in about five minutes and leave you in a bucolic trance. At least, that’s what it does to me. . . . .

Keep up with the latest on the VIVA studio tour on Facebook. A studio map is provided here.

Happy Spring!

Iskra

Iskra Mini Print Hydrangea
Logic Study, with Hydrangea, mixed media on Venetian plaster, © Iskra Johnson

Filed Under: Botanical Art, Iskra Shows, Upcoming and Past, The Garden Tagged With: Cathy Sarkowsky, Iskra Botanical, Iskra shows, PNW arts, Vashon Island Visual Artist Studio, VIVA

Iskra with Painters Under Pressure at Seattle Sampling December 4-6

November 13, 2015 by Iskra Leave a Comment

When my print arts salon, Painters Under Pressure, suggested we do the Seattle Sampling December studio tour it was. . . . July. No sweat, plenty of time! Now we are all in that wonderful pre-show manic state of trying to make art round the clock while life in its inconvenient way interferes. Laundry? Bookkeeping? The Gym? Huh. I have never made so much work in such a compressed period of time. I think the happiest state, the state of mind I treasure most, may be just pure focus, and I’m there, even if I am wearing last week’s socks. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Mixed Media Tagged With: artist studio tour, holiday sale seattle, Japanese pearapple, mixed media, open studio, Painters Under Pressure, pyrus pyrifolia, Seattle sampling, venetian plaster

Capturing Incandescence with Digital Printmaking: An Homage to Dürer

October 1, 2015 by Iskra 2 Comments

Although I am a avid gardener, the kind of gardener who intentionally plants things with an eye to color and texture and contrast and who pulls out weeds, I have to confess that my very favorite flower in the world is the dandelion. I have been trying to capture dandelions since I was about three, when I was first photographed eating them, which I will say was much less satisfying than blowing them and watching the seeds fly up into the air.

In July I took some photographs of a particularly expressive weed against the crumbling wall of a parking lot, and the image has been murmuring to me ever since. It was an exquisite morning spent in the company of my mother and old books. Somehow the grainy pages of her 1930’s Latin primer and a distant memory of a print by Albrecht Dürer came together in this image.

Dandelion for Dürer, By Iskra Johnson, archival digital print
“Innocence,” archival digital print, © Iskra Johnson

My scale with the current Almanac series of botanical work is intimate. This print is 8″ square. My intention is to make a second image in which the photographic elements are directly transferred into the plaster which forms the background. It has been a very challenging piece, composed of at least a dozen “plates” ie. Photoshop layers, on which I have drawn and erased and shaded with my digital tools. It is slightly crazy to try to convey incandescence with low contrast, but everything about the original moment when I saw this beloved weed was about innocence and light and the uncapturable haze of memory—which is a quiet place. Perhaps I should let Robert Creeley explain, from his poem “The Immoral Proposition”:

If quietly and like another time there

is the passage of an unexpected thing.

To look at it is more

than it was.

Filed Under: Digital Collage, Prints Tagged With: Albrecht Dürer, botanical print, contemporary printmaking, dandelion, digital incandescence, elegy, garden art, innocence, robert Creeley

New Directions with Italian Plaster

September 17, 2015 by Iskra 1 Comment

After my inspirational time with Jennifer Carrasco I am diving into the new/old technique of Italian plaster and reveling in what happens when you let surface speak. In the past I’ve tended to get nervous when I spend a lot of time making a surface to paint or draw on. The calligrapher in me wants to have a stack of a hundred sheets of paper and nothing to lose by drowning in ink, again and again, and throwing whatever happens on the floor for later reflection. The word “precious” comes up when I think of sanding and painting and sanding again and then glazing and . . . then trying to put something down on such a huge investment of time.

If you are a recovering calligrapher or watercolorist you know this tyranny of the perfect sheet of rag paper. With a pristine sheet of BFK or $20 rice paper there is really nowhere to go but [Read more…]

Filed Under: Mixed Media, Transfer Prints Tagged With: anemone, botanical art, garden art, image transfer on panel, mixed media on panel, panel, plaster

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At 18, in my first year in class at Cornish, Charl At 18, in my first year in class at Cornish, Charles Stokes said: “To be an artist, first you must learn to visualize. Your assignment is to go home, close your eyes, and visualize an apple. Rotate it and observe how it looks from every direction, as though you were God and you had just designed this fruit. Then imagine cutting it into pieces and turn each piece in your mind’s eye. If you need to get in the bathtub, do.” A year later, my skin had turned permanently pink from baths, but I was beginning to be able to See. That moment when I really could imagine the apple from above, below, the side, and visualize the slices falling away was a revelation. The cherubim cheered. Today I can shut my eyes in any moment of boredom and see the apple rotate like a muffin on a dim sum tray, round and round, the highlights glinting.

Apples also nearly killed me. When I was 19, I worked for a month in the orchards of Orondo, and slept under the trees in a sleeping bag and little else. Each morning I woke to the drone of crop dusters and the pale white incandescence of pesticides sifting through the leaves. My water came from a galvanized pipe fed directly by the irrigation ditch. Me and Caesar Chavez? Solidaridad. I came back from the orchard with a stomach malady that defeated every doctor I saw. Over the ten years following I lost 32 pounds, and I had been slender to start. At 27 I came within three weeks of death. Over that decade I was tested for everything, and my body claimed an allergy to every food except the pinto bean. No amount of antibiotics or enzymes or the primitive curatives of those days worked. After this inexplicable and punishing siege on my health it took years to get back to food as a good idea. I lived on boiled carrots and rice. The one possible argument to inexplicable: every alternative medicine healer found indications of arsenic, a prime ingredient of pesticides and known disruptor of the digestive tract. (Continued in next comment, complete essay at link in bio.)
Exquisite work by @christinegedye @fountainheadgal Exquisite work by @christinegedye @fountainheadgallery.
Experiments in juxtaposition. Yesterday I worked Experiments in juxtaposition. 

Yesterday I worked in the studio to some kind of divine mix of Raga and drone and hand pan drum and returned to the state of mind I’m here for. 

This study of an eggshell is only incidentally an eggshell; it is any fragile thing regarded with love. I think of the days when there was an antique shop on every block and I would haunt them and find among the watering cans and spoons and rusted winches a lace handkerchief starched and embroidered with imagined daisies by some woman crossing the country in a covered wagon with a packet of seeds. I held the cloth up and watched clerestory light fall from the rafters and transform its quiet folds into something burning, heard the sounding bells of ships in the harbor, the train rumbling in the tunnel, people stumbling and laughing on the boardwalk. 

Light is the keeper of history. As we walked out of the steel plant last week, steam mingled with clouds and enveloped the massive structures around us in softness. Just before my camera died, I took this picture of a steel door. On its face, the flag of an imagined country, stripped of warp and weft and left with only traces. As the world hangs on the edge, held by the flimsiest of props, each day aims another missile at certainty. We still have memory, and that may save us.

#TheFragilityProject
Slow Art. The beat helps tune out the Everything E Slow Art. The beat helps tune out the Everything Else Going On. . .#graphitepencil
I am excited to be part of the annual open studio I am excited to be part of the annual open studio tour for 
Spotlight North 2026, Noon to 5 May 16+17! 
Meet the artists of Shoreline, North Seattle, 
and Lake Forest Park in their native habitat: 

Robin Arnitz, Anna Wetzel Artz, Laura Brodax, Shruti Ghatak, Eva Isaksen, Amanda Knowles, Sarah Norsworthy, Paul Leavitt, Paul Lewing, Iskra Johnson, Dale Lindman, and Shoko Zama.

I will be showing new drawings and paintings influenced by nature and place, as well as ongoing print work, and several new card series. Many people have told me they would love to collect more but their walls are full, or they are moving into smaller spaces. In response, I have created new tiny works you can set on your desk or slip into the spice rack between the oregano and the thyme. I have always loved the intimacy of small work: It is the quietest most personal of conversations. These three pieces are from the hundreds of media studies I do to see “what happens if,” in an experimental state of mind. They are made with a combination of liquid graphite, pencil and paint, and presented like tiny one-of-a kind etchings. Contact me if you are interested in pre-purchase.
Link in bio to the Spotlight North Website. The map will be posted soon!
First glimpse of the Nucor Steel Plant. Probably t First glimpse of the Nucor Steel Plant. Probably the most amazing photo shoot I have ever been on. It will take me months to know what to do with the hundreds of images from this amazing day. Thank you Seattle plein air painters for this rare opportunity. Thank God we had dedicated minders to keep us from falling off the stairs and to help us adjust to the three layers of gear, hard hat, ear coverings, goggles, vest (hint: you need all of them!)

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