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You are here: Home / Archives for Photocollage

Collage Life, Refiguring Art and Friendship in the Pandemic

August 30, 2020 by Iskra 10 Comments

Correspondent Letter collage by Iskra

The Correspondent, ©Iskra Johnson

(This late summer dispatch breaks all the rules of “newsletter.”  August is a time of slow thinking and revision, thought and word pasted and lifted and re-placed in an order based on considerate disorder and association, ie. on the structure of my mind. If there is no news (I have been immersed in art history which is by definition old news) there is still, however a “letter.” This post is about letter writing itself, and how personal correspondence can mean the world and re-make the world of our creative lives. Settle into a deep chair, with good light or a rustling tree and a cat at your feet. Consider that the post office would love it if you bought some stamps.)

On this particular morning, about 214 days since the pandemic became the official organizing principle, I am sitting at my kitchen table drinking Earl Grey and looking at a stack of books and magazines and letters accumulated since spring. In April my friend Jennifer began sending me her monthly Poetry subscriptions along with pages torn from magazines. Every page is pre-read and annotated with trenchant scribbles in the margins, curated personally just for me. Jennifer has reached the place in life of casting off. I am still bringing things into my house, desperate for distraction, but seem to have confused doom scrolling and pulp novels with The Great Books. I gather romances from the Little Free Libraries on my walks and have not made it beyond chapter 1.

When the first poetry letter arrived I was ecstatic. Mail! Brown paper and string! And delivered by a man in blue socks and shorts, as though it was 1958, a sandwich meant Mayonnaise on Wonder Bread, and Lassie the Collie still roamed the earth in his white socks, teaching us what heroes look like. The letters have ignited a connection that feels bigger than just the two of us, my friend and me sitting alone dangling face masks on our wrists in our separate homes. Over 20 years we have corresponded by email and post, with a dedication that is Victorian. When we compose a sentence to send to each other it is with the knowledge that we are writing, not just the tourist postcard’s “wish you were here,” but miniature novellas painting scenes or memories that cross space and time. We write to bring each other actually here, and we take great care. [Read more…]

Filed Under: Collage, Digital Collage, Essays, Photocollage Tagged With: collage art, collage life, Curation, history of collage, Pandemic art, Pinterest critique, W.H. Auden, women friendships

Spring Shows & Notes on Travel

April 21, 2019 by Iskra 1 Comment

Travel Quote Airports by Iskra
Lost in dreams at the airport…..

Lots going on this spring! This post will share updates about spring shows, new work, and some notes on my recent trip to New York. Many pictures, so you may want to view in your browser if you receive posts via email.

The annual Garden Show at Whidbey Island’s Museo is lovely, and runs through April 28th. Open 11-5 Wednesday through Monday and Tuesdays by appointment. Sundays open 12-5. Shown here, Magnolia Eva, a mixed media print in a limited edition of 5.

 

Museo Garden show Iskra
Museo Garden show in Langley on Whidbey Island

Opening Saturday May 4th is The Arty Party, in the Barrel Room Gallery at Domanico Cellars. 5-9. 825 NW 63rd St. Ballard 98105. I will be one of 18 artists showing a collection of work meant to move you and move from the wall to your home: all work will be under $500 (!). The Barrel Room is a wonderful alternative gallery space on the ungentrified edge of Ballard. In the gallery Nancy Stentz and David Harto create an ambiance of elegance and fun. Visit the art, have a glass of wine, go out in the courtyard and talk motor parts or gardens with the eclectic mix of patrons. This should be a great party, just in case you were in need of one.

 

The Arty Party at the Barrel Room Gallery

On to New York:

[Read more…]

Filed Under: Architecture & Sense of Place, Art Reviews, Digital Collage, Iskra Shows, Upcoming and Past, Photocollage Tagged With: art blogger, Iskra Shows spring 2019, museo gallery, New York Armory 2019, Rebecca Solnit quotes, Sarah Entwistle, Seattle Art Source, Signs and Symbols Gallery, The Art on Paper Show 2019, The Arty Party

Iskra Spring Shows 2018

March 20, 2018 by Iskra 2 Comments

“The Spool,” archival pigment print, 22×30 and 14×20

A big thank you to everyone who came out to the opening of Industrial Pastorale at Perry and Carlson! It was a wonderful gathering of friends and family from throughout the Salish Sound. I had long conversations with many new art appreciators, some of whom I knew only by Instagram avatar. It is a lovely surprise to see the internet unfold into real life. A big thank you too to those who went home with various prints like the one above, from the Wild Color series inspired by the Anacortes Shipyard. Most of the work is collected now in a print gallery on my site, so if you cannot make it to Mt. Vernon take a look here.  The show continues through April 1, Hours: Wed-Sat 11-6, Sun 12-4 and by appointment. 504 S. First Street, Mt. Vernon, WA.

To recuperate I went to the studio the next morning and cleaned out my sink. A long pause that was. Lots of scrubbing. Absolutely nothing will get stains out of a cheap plastic utility tub. I could really drag this task out. Baking soda, bleach, five kinds of scrubbies, soya solvent, the Gypsy Kings. Very helpful, I recommend doing this at least once a year.

 

Iskra Studio Sink

It is going to be a very busy spring, with four shows between now and the middle of May. I hope you can stop by whatever fits your mood. Each event is an entirely different kind of scene, and I am excited to broaden my world to new communities in the Seattle and East Side.

Ryan James Fine Arts 3rd Biennial Exhibition with 50 Selected Artists

Opening April 12 5-10 PM

11905 124th Ave. NE, Kirkland 98034

Show runs from April 1 – May 31st

* * *

Layered, Presented by the Sammamish Arts Commission

Sammamish City Hall Commons Gallery

April 23 – July 20, 2018

Artist Reception Thursday, May 24th from 6-8:00 pm

* * *

Seattle Artist League at Galvanize 1 Night Only!

April 5th 5-8 PM

111 S. Jackson

* * *

Vashon Studio Tour (Now called VIVA)

First Two Weeks of May, details to come

 

Although I have loved being in the landlocked meadowscapes of the Skagit Valley, my work for the summer show at Taste will return to the water. Think the light in August, think of that pink haze of condensed heat and rose petals, how the sun shines diffuse like thistle fluff and in the distance the sound of the ships turns the clouds blue in the bay. There may be some pink, some yellow too, definitely some very hot color. Here is a glimpse.

 

Tethered waterscape print by Iskra
Tethered 1, © Iskra Johnson

Filed Under: Iskra Shows, Upcoming and Past, Photocollage, Prints Tagged With: Iskra shows, Layered, PNW Art shows, Ryan James Fine Art, Seattle Artist League, Taste Restaurant

You Are Invited to the Opening of “Industrial Pastorale” at Perry & Carlson

February 15, 2018 by Iskra Leave a Comment

Iskra in Industrial Pastorale at Perry & Carlson“Windscape,” © Iskra Johnson 2017, 22 x 33 limited edition pigment print

 


 

I hope to see you at Industrial Pastorale at Perry & Carlson this coming March 3rd! The early opening hour is timed to encourage people to come up to the Skagit Valley for the day, take in the landscape and visit Edison’s thriving art scene or La Conner as well.

This show explores the liminal edge between urban and rural landscape. The prints merge recent landscape photography from the Skagit Valley with urban surface to create visual narratives of rural archetype, contemplation and place. Through blends of painting, traditional printmaking and photographic techniques the work pushes digital printmaking into new territory, with images that live beyond category, as mysterious “works on paper.” The complete artist statement for this work can be read here.

There will be over 20 new limited edition prints in different sizes, ranging from 22 x 33 to 15 x 15 inches, framed and unframed. Once the show has opened I will post a complete gallery here of all the work in the series. Meanwhile, here is a glimpse of one of my favorites, inspired by the pony farm memories of my childhood.

The Horse's Dream print by IskraLe Rêve du Cheval (The Horse’s Dream)

The horse dreamed in black and white
just the way they told him to
but he could not stay away
from the red barn.

One night he drank it.

From then on his dreams were in color
the way he always knew
they were supposed to be.

Filed Under: Iskra Shows, Upcoming and Past, Photocollage Tagged With: Industrial Pastorale, Iskra shows, Mt. Vernon Art Gallery, Perry & Carlson, Skagit Valley shows

Industrial Silence | (And Save the Date!) #MakeAmericaCreateAgain at CoCA

March 20, 2017 by Iskra Leave a Comment

Industrial Light Photograph by Iskra Johnson
Industrial Silence, © Iskra Johnson

Industrial silence is a three part harmony of dripping rust, heavy metal and the slanting light of late afternoon. If you listen carefully you can hear walls corrugating and wire mapping a path through the milky green of ancient skylights. In the distance, there is the hum of large trucks idling, and close up the interrogating roar of generators programmed to shock a tourist out of reverie. There is always the cantor and the choir of crows and gulls, one shrieking, one mewling, and sometimes thin coils of rubber poised like snakes. Most of the written words are warnings. Wear your steel toe boots, don’t touch, don’t trespass, turn this crank to the left and then up, do not drink what is in this barrel, although I always hope somewhere in the sans serif commands I will find an anthemic “raise high the roofbeam carpenters!”

Every silence is different, but each one reminds me of the other, so as I walk through train yards and factories on Sundays when everyone is gone I also think of Berlin, [Read more…]

Filed Under: Drawing, Iskra Shows, Upcoming and Past, Photocollage, Prints Tagged With: Charles Sheeler, CoCA, industrial art, Iskra shows, precisionism, writing on photography

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The photography show opening Friday, October 9th a The photography show opening Friday, October 9th at Slip Gallery is curated by my friend and fellow photographer, Scott Wipperman. This seemed like a good time to share his work and the story of our friendship on the road. Half the photographs are his and half are mine. This is an excerpt, and you can read the rest of it on my blog, see link tree in bio:

One of the rarest gifts in the life of an artist is finding a creative muse: someone who truly sees your work, and better yet, has a similar vision that is just enough different that you can collaborate without competing. In the often solitary studio life these connections can be difficult to find, but during pandemic, Instagram brought a new creative companion into my life. I do not know who started following who first. But in May 2020 I found myself sharing instant messages with a photographer working under the name “Concrete spaces“— a handle that immediately piqued my interest. Concrete has been one of my obsessions for years. Miraculously, there was someone out there who understood why I was working on a book called Parking Lot Floors Of North America. . .

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Iskra Johnson

©️Iskra Johnson

©️Iskra Johnson

©️Scott Wippermann

©️Iskra Johnson
I am excited to be part of a show opening Friday, I am excited to be part of a show opening Friday, October 9th featuring eight Seattle  photographers and curated by Scott Wipperman @concretespaces at Slip Gallery. The theme of this show is complex and interesting: Intimate Structures. How the human body and human emotions connect with the built environment. And how the structures in our environment shape our lives, our relationships, and our possibilities. I will be showing industrial landscape as well as six pieces from the series “Immersions” based on tableaus of human relationship captured at Seattle’s waterlines. A diving platform is a stage, and the summer season a riveting drama of ever-shifting players. Most of these pieces have not been shown before.

I’m fascinated by the work of the seven other photographers, each one approaching the theme of the show from a completely different perspective, using both traditional photography and contemporary experimental techniques. Alienation, sublimation, meditation, connection:
Annie Regerson
Dimitri Wessendorf
Gillian Peckham
Iskra Johnson
Janis Mathieson
Mack Greene
Nina Bolger
Scott Wipperman
I hope to see you there!

The runs until the end of October. 
Thursday – Friday: 1:00 PM – 6:00 PM
Saturday – Sunday: 1:00 PM – 4:00 PM

Slip Gallery
2301 First Avenue in Belltown

Two Divers ©️Iskra Johnson

Guardian ©️Iskra Johnson
Morning Pages: Doors The first thing I saw when I Morning Pages: Doors

The first thing I saw when I woke up this morning was shadows on a door. Last night, I dreamt of an old building, one I have visited in dreams for years. It is a co-op apartment in some imaginary Canadian city, on a long steep hill above which are what appear to be the Swiss Alps. It was built in the early 1900’s and has grand staircases and balconies, huge rooms, bronze doorknobs and leaded glass windows. In my dreams, I interview with the board, I make an offer and I even buy an apartment— and then suddenly the door of my new home opens into a parking lot or a garage or someone else’s basement and I wake up and check my bank account, mystified by the power of this particular place, and how opening a door universally signals a new chapter in the story. 

Doors and windows are the most metaphoric parts of architecture. 100 years ago builders understood the attention they deserved. Now I live in a city where we have torn down historic churches, dumped the stained glass into a landfill and replaced these devotional structures with stacked box apartment complexes covered with Hardie Plank. I’m watching million dollar houses go up in my neighborhood with the cheapest vinyl windows from Home Depot, no eaves and often no roof— simply a flat lid to seal the box — and no trim at all. It is architecture as expedience, and it degrades the experience of how we see and experience the commons, and our human values, because, as Churchill noted, “We shape our buildings and afterward our buildings shape us.” 

We don’t look twice at these new houses, whereas I can look at this particular building somewhere in England for hours. Whoever built this wall took great care. They used the art of subtraction to add rather than to diminish. The vast flat wall of stone, the curved lintels, make the windows and doors speak. The doors and windows are not grand, but curiously condensed. They are portals through which one must squeeze with effort, which makes a person pause, and wonder. Later, they may find themselves dreaming of what is behind the walls.
Westminster Mall deconstruction project. I had to Westminster Mall deconstruction project. I had to go to the Department of Licensing this morning and stand in line and it gave me an opportunity to watch the Sears building come down. Sears was the last place left in the Seattle area where you could buy a vacuum cleaner from a man wearing creased polyester slacks, a tucked in shirt and an engraved name badge making a commission on the number of vacuum cleaner bags you bought to go with the Electrolux. I fondly remember my conversations about uprights versus canisters. This building is where I bought a snowsuit for a child that just barely fit me the day we had the epic snow and I was caught unprepared. I walked a mile on ice to get to Sears and then left looking like a nine year-old robot trying to get my knees to bend and move swaddled in 4 inches of poly blend padding. But I was warm! I doubt that anything that goes up this year in the Westminster Mall will last as long as Sears did. And there will be no catalogue unless I create one.
Excited tonight for the opening of Art and Steel a Excited tonight for the opening of Art and Steel at Youngstown Cultural Center! This is primarily a painting show from the Plein Air Watercolorists Association of Seattle (although I don’t think any of us were actually painting inside the mill on our tour!) I have been included as a photographer and mixed media artist, see last image in carousel, “Glide.” 

An exhibition of paintings telling the story of steel fabrication at NUCOR mill, hosted by Delridge Neighborhood Dev Association.

Friday, September 18 | 6:30 PM - 9:00 PM
Join us for a special evening celebrating art, industry, and community.

This exhibition features original paintings that tell the story of steel fabrication at the NUCOR Mill, presented by the Delridge Neighborhood Development Association (DNDA).
The evening will include a panel discussion, light refreshments, and an opportunity to learn more about the intersection of art, labor, and local history.

All donations made during the event will be matched and directed to DNDA’s Art Education Programs, helping support creative opportunities in our community.
Friday was my birthday. 9.11 is a day of remembran Friday was my birthday. 9.11 is a day of remembrance and national tragedy, and it seems bizarre to claim some kind of importance for having been being born on that day in the context of the event. 

Several days after, I allow myself reflection on the passage of time. This is me 15 years ago, with my Canon Powershot, which offers an astonishing naive pre-Cabrian 6 Mb image. It was much more kind than today's 24 MP iPhone, which not only captures the older me but turns that version into a character from Shakespeare with hi-def Bertrand Russel thought lines above my eyebrows and unforgiving evidence of allergies and time. 

On reflection I realize that 2011 was a very good year. I am going to allow myself to be that person for the month, and remember what that was like. The love of my life from the 8th grade had come to stay with me that summer. He took terrible photos of me that I now realize were not so bad. 99% of of the corrosive social media influences had not been invented yet. Women over whatever age was deemed desirable were not subjected to an ad every minute telling us that a new part of our face or body had gone south, and offering us a (discounted! on sale! watch the entire 30 minute video!!) $165 remedy on a monthly subscription to fix it. 

Now every day I look at the thinking and brooding lines above my eyebrows (which are also the lines caused by considering how funny some things can be even when crying) and ask myself what Bertrand Russel would say. If you are too young to know that name, AI is your ever-friend and will tell you how you too can become a "towering British philosopher, logician, mathematician, and social critic" and also how to fix those lines that come from considering things with your face. 

I think my romance with the iPhone is coming to a partial close. I want to go back to the idea of “glass.” It costs serious wages. It is made by Germans— Lately, (subtract the umlaut) Sony, the wizards of sand and heat and bending light to high high focus. I need to return to optics, f-stop, aperture, focal length— words that require frowning. 61 megapixels seems like the bare minimum. There is no cosmetic cure to being a lens-based artist:))

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