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New Years’ Eve: In Which the Gardener Takes a Moment to Reflect

December 31, 2021 by Iskra Leave a Comment

Winter garden New years Eve

(Excerpt, from The Gardner’s Almanac of Irreproducible Phenomena December 31, 2021)

The first thing the Gardener noticed on the morning of December 31 was the color of the snow. The sun had emerged after days of gray and bitter cold, and as shadows stole across the land they brought with them a new color, “warmth,” transforming the drifts and vaguely monstrous shapes of the shrubs into benign presence. The light most particularly touched the robins, who demand warmth to ignite their color fully. On the dogwood branches the robins sat, eastward facing, their chests swelling and feathers plumping as though they had been feasting all week instead of pecking amidst tire tracks for the carcasses of worms. In another garden a varied thrush had fallen to its frozen death with a sound like lead and been buried with ceremony, its dark necklace enveloped in garnet strings and rubies as befits a prince.

Last year the gargoyle had reigned over the pond with his broken wing. For 40 years his gnarled features gave purchase to every bird who came to sit and drink from the spout pouring water. Each December, through the incantations of ancient fractals, the water carved a heart from the ice, a wet obsidian streaked by the occasional golden contrails of fish. Each year the birds descended in order of size: first the crows, then the flickers, then the robins, sparrows, chickadees and towhees, and lastly, the shy wren. The Gardener did nothing on these days but observe and laugh, and all was good.

 

The Gargoyle of Christmas Past

Long ago….. [Read more…]

Filed Under: Meditation & Buddhism, The Garden, The Spiritual in Art Tagged With: Kuan yin, new years 2021, pandemic new year, the gardener's almanac of irreproducible phenomena, the shell, What a year

Save the Date! Vashon Island Artist Studio Tour May 2018

April 9, 2018 by Iskra Leave a Comment

Cathy Sarkowsky and Iskra Johnsonstudio Vashon tour
The vista from Cathy Sarkowsky’s lovely Vashon garden

This spring I am excited to show work in the Vashon Island Visual Artist’s Studio Tour (VIVA). Vashon artist Cathy Sarkowsky has generously offered her satellite studio to me so I can be part of this annual event on one of the Northwest’s most idyllic islands. Over 100 artist studios will be open the first two weekends of May:  Saturday and Sunday 10 AM – 5 PM May 5-6 and 12-13.

Sarkowsky studio vashon island May 2018
This is the studio cottage I will be showing in.I cannot wait to settle in with a cup of tea and watch for hummingbirds.

If you recall the Gardener’s Almanac of Irreproducible Phenomena (a title designed expressly to confound google search) you may remember that I have done a large body of botanical natural history work. The Almanac is a series of vignettes that appear without warning, documenting the cycles of death and rebirth in my little backyard Eden. On Vashon Island I will have many of my garden-inspired Venetian plaster miniatures for sale, as well as a variety of prints of all sizes, including a collection of very affordable mini-prints. If you would like to see the Venetian plaster work in advance it is currently up on my site and is available for pre-sale. More work will be added in the next few weeks, so check back there or follow me on Instagram, where I will be posting these pieces throughout the month.  There will also be work from other series, including Industrial Pastorale and The Floating World.

I hope you will mark your calendar and come visit as the sunny season begins. If you live in Seattle I promise you the island will erase your urban mood in about five minutes and leave you in a bucolic trance. At least, that’s what it does to me. . . . .

Keep up with the latest on the VIVA studio tour on Facebook. A studio map is provided here.

Happy Spring!

Iskra

Iskra Mini Print Hydrangea
Logic Study, with Hydrangea, mixed media on Venetian plaster, © Iskra Johnson

Filed Under: Botanical Art, Iskra Shows, Upcoming and Past, The Garden Tagged With: Cathy Sarkowsky, Iskra Botanical, Iskra shows, PNW arts, Vashon Island Visual Artist Studio, VIVA

Iskra with Painters Under Pressure at Seattle Sampling December 4-6

November 13, 2015 by Iskra Leave a Comment

When my print arts salon, Painters Under Pressure, suggested we do the Seattle Sampling December studio tour it was. . . . July. No sweat, plenty of time! Now we are all in that wonderful pre-show manic state of trying to make art round the clock while life in its inconvenient way interferes. Laundry? Bookkeeping? The Gym? Huh. I have never made so much work in such a compressed period of time. I think the happiest state, the state of mind I treasure most, may be just pure focus, and I’m there, even if I am wearing last week’s socks. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Mixed Media Tagged With: artist studio tour, holiday sale seattle, Japanese pearapple, mixed media, open studio, Painters Under Pressure, pyrus pyrifolia, Seattle sampling, venetian plaster

Capturing Incandescence with Digital Printmaking: An Homage to Dürer

October 1, 2015 by Iskra 2 Comments

Although I am a avid gardener, the kind of gardener who intentionally plants things with an eye to color and texture and contrast and who pulls out weeds, I have to confess that my very favorite flower in the world is the dandelion. I have been trying to capture dandelions since I was about three, when I was first photographed eating them, which I will say was much less satisfying than blowing them and watching the seeds fly up into the air.

In July I took some photographs of a particularly expressive weed against the crumbling wall of a parking lot, and the image has been murmuring to me ever since. It was an exquisite morning spent in the company of my mother and old books. Somehow the grainy pages of her 1930’s Latin primer and a distant memory of a print by Albrecht Dürer came together in this image.

Dandelion for Dürer, By Iskra Johnson, archival digital print
“Innocence,” archival digital print, © Iskra Johnson

My scale with the current Almanac series of botanical work is intimate. This print is 8″ square. My intention is to make a second image in which the photographic elements are directly transferred into the plaster which forms the background. It has been a very challenging piece, composed of at least a dozen “plates” ie. Photoshop layers, on which I have drawn and erased and shaded with my digital tools. It is slightly crazy to try to convey incandescence with low contrast, but everything about the original moment when I saw this beloved weed was about innocence and light and the uncapturable haze of memory—which is a quiet place. Perhaps I should let Robert Creeley explain, from his poem “The Immoral Proposition”:

If quietly and like another time there

is the passage of an unexpected thing.

To look at it is more

than it was.

Filed Under: Digital Collage, Prints Tagged With: Albrecht Dürer, botanical print, contemporary printmaking, dandelion, digital incandescence, elegy, garden art, innocence, robert Creeley

New Directions with Italian Plaster

September 17, 2015 by Iskra 1 Comment

After my inspirational time with Jennifer Carrasco I am diving into the new/old technique of Italian plaster and reveling in what happens when you let surface speak. In the past I’ve tended to get nervous when I spend a lot of time making a surface to paint or draw on. The calligrapher in me wants to have a stack of a hundred sheets of paper and nothing to lose by drowning in ink, again and again, and throwing whatever happens on the floor for later reflection. The word “precious” comes up when I think of sanding and painting and sanding again and then glazing and . . . then trying to put something down on such a huge investment of time.

If you are a recovering calligrapher or watercolorist you know this tyranny of the perfect sheet of rag paper. With a pristine sheet of BFK or $20 rice paper there is really nowhere to go but [Read more…]

Filed Under: Mixed Media, Transfer Prints Tagged With: anemone, botanical art, garden art, image transfer on panel, mixed media on panel, panel, plaster

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Feeling the need for color today. "Corrugation Str Feeling the need for color today. "Corrugation Structures in Aqua and Orange." Industrial architecture is sometimes pure sculpture. And sometimes the sculpture asks for a theater treatment, as pure color. These look quite amazing on German Etching paper. The last one is a detail from a different piece." See link in bio for the whole Nucor Steel Portfolio.
The secret life of buildings, late summer edition. The secret life of buildings, late summer edition. Tarps and curtains and shadows and trees all let a building hide just a bit from the public eye. There are rooms in this city that hold more secrets than other rooms and they are designed that way. Architects used to know this before they discovered that you could make a plate of glass that stretched from floor to ceiling without interruption. The art of the story is always the art of interruption. Framing, what gets blurred in the corner, what gets blasted with late afternoon light. 

The woman behind the curtain is answering her phone and she is the girl with the pearl earring transported outside of the museum to stand on Fourth Avenue looking into her reflection. If your listener is truly listening, they will tap on the glass and ask why you left that part out, the blurred corner. The Mayflower Park is where you go if you want interruptions like these. You can talk to the man arranging a lemon rind on the edge of a glass so it looks just like a scene from Last Year at Marienbad and you can learn that he grew the hydrangeas and the roses backlit by curtains in his garden and you can have a long discussion about the evolution of hydrangeas through time and interior design. And if I had more time, I would tell you about last year at Marienbad and why I had to watch it twice, the first time sleeping and the second time awake.
The Golden Chain.Nucor Steel. The Golden Chain.Nucor Steel.
Nucor Steel: These are not bytes, and if you get i Nucor Steel: These are not bytes, and if you get injured, it could be a lot worse than a mild case of carpal tunnel syndrome. Swipe to see the workbench and what appeared to be very large dice, but might have some other function. I could not decide between black and white or duo tone so I printed both.
Corrugation,light,form: Nucor Steel, industrial ph Corrugation,light,form: Nucor Steel, industrial photography
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