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New Work Emerging from the Dark of November

November 29, 2016 by Iskra Leave a Comment

"Celadon" industrial waterscape by Iskra
“Celadon,” limited edition archival pigment print on canvas and paper. 40 x 40 inches.

“Surely one of the most magnificent feats of the human brain is its ability to hold past, present, future and their imagined alternatives in constant parallel, to offset the tedium of washing dishes with the chance to be simultaneously mentally in Bangkok, or in Don Draper’s bed . . . .What differentiates humans from animals is exactly this ability to step mentally outside of whatever is happening to us right now, and to assign it context and significance.”— Ruth Whippman

In the aftermath of the election I find Ruth Whipmann’s essay “Actually, Let’s Not Be in the Moment” particularly compelling. I may have company in the desire to be elsewhere, rather than in this new country that feels like an audition for the ’80’s or other even less hospitable eras, perhaps 1016 or so. I am grateful for the extraordinary lifewire of the artists, writers and activists on social media who are doubling down on beauty and various forms of creative activism. After a three-day collective bender most in my circle are back to work and on fire to make the most of every precious moment. The determination is contagious. [Read more…]

Filed Under: Photocollage, Prints Tagged With: art inspired by Leonard Cohen, limited edition prints, nature art, news from iskra, November, the maersk line

Painting with Water . . . . “don’t be afraid, be curious”

November 1, 2016 by Iskra 1 Comment

To paint with water is to go swimming out beyond the breakers. If you let yourself drift for a moment in the line between sky and sea,  if you let your body become long like a fin and your eyes go wide and light with clouds, if you completely let go you can be sure that in the next moment the current will shift and the waves will crash upon your fragile ribs and spin you into not knowing.

Painting with water is just one big risk of drowning.

To remain curious while going under takes a greater leap of faith than I am accustomed to. Working small however— wading — takes no courage or faith at all. It’s just a place to be, a tide pool. If you are tiny and the world is tiny and you are eye to eye with the barnacles on the edge of the deep blue shell this is simply happiness and why argue?

Here are three little Water Babies, eight by eight inches, that seem to have survived the surf. I am learning how to paint with acrylic ink, and I am mesmerized. It’s like you can make your own weather wherever you go.

Big Sur painting by Iskra
Big Sur

[Read more…]

Filed Under: Painting Tagged With: acrylic ink, acrylic painting, Big Sur, painting water, shell painting, water media, wave painting

Morning Pages | Contemplative Drawing Practice

September 20, 2016 by Iskra 1 Comment

metaphysik-mixed-media-iskra
Vocabulary Practice, Mixed Media Drawing © Iskra Johnson

“Procrastination and mourning are tied tightly together: for to procrastinate is to mourn the precariousness of your creation even before you bring it into the world.

We should perhaps spend more time dwelling on the rich virtuality that precedes the fall into existence. That is, after all, what true contemplation must be about: a commerce with the irreality of things, a learned habit to see them from the privileged perspective of their pre- and nonexistence. Rather than get caught up in the misleading appearance of the material world, we transport ourselves back to a moment when the world, with all its holes and imperfections, hasn’t happened yet.”

— Costa Bradatan, From The Stone, New York Times, September 17, 2016

When I read “Why Do Anything? A Meditation on Procrastination” this weekend I wept with recognition. Accompanied by an exquisite illustration by Leigh Wells, the piece cuts right through to the contradictions and poetry of the  contemplative state. [Read more…]

Filed Under: Drawing, Meditation & Buddhism, Mixed Media Tagged With: contemplative drawing, costa brandatan, mixed media, morning pages, natalie goldberg, procrastination, the stone

New Art from The Garden, or, How I Learned to Get Over Myself and Love Flowers

August 29, 2016 by Iskra 3 Comments

What kind of fool plants flowers in late July, when the temperature is scalding and the dirt has become so dry it has closed like a fist and refuses even the longest kiss of the sprinkler? That would be someone who comes late to the love affair of flowers, someone who held out until the last minute against their invitation. That person would have said, “I hate orange and pink together.” “Flowers are banal.” “Flowers are so obvious, and they have no bones in winter. I’m a winter person.” And lastly, “Flowers will break your heart.”

This is very true. Just now I have been standing in the pungent dust with my garden hose wondering how many more times I will have to water the ailing flock of pink cosmos and orange rudbeckia until they stop falling over. I have snapped off countless dry husks from the daisies as I embrace the ruthless ritual of “dead-heading.” I have wept at the delicate hydrangea that refuses to thrive no matter how much shade and water and worry I offer. Yet every time I open the front door my heart is flustered all over again by the canna, the petunia and the dazzling blue lobelia. True: your heart breaks, again and again, but that doesn’t seem to matter once you fall into this kind of love.

 

cannalilly-garden [Read more…]

Filed Under: Prints, The Garden Tagged With: artist's garden, botanical prints, flower gardening in the northwest, iskra shows in September, magnolia, mixed media art

The Artful Life: A Visit with Patti King

June 20, 2016 by Iskra 6 Comments

An artful life

With the Solstice the weather in Seattle has shifted full-tilt into summer. It is hard to go inside and work in the studio when the sky opens to a clear blue. Today I am taking time away from work to reflect and write about influences and inspirations, in particular the  inspiration that comes from time spent with other artists in their studios and homes.

To prepare my mind for a writing project I like to close my eyes in the garden under the dogwood tree by the pond. There, as prisms of light sift down through the leaves onto my eyelids, I can let my thoughts wander until, with a few nudges, they begin to collect around a subject and form into sentences. This morning before starting the process of contemplation I had begun to eat an apple, and I took it with me and set it down on the arm of the chair. I settled back and drifted on the breeze of summer sounds: the clatter of lawn mowers, the whir of dragonflies and the soft shush of pampas grass. A thought emerged and with it the immediate habitual impulse to reach for my phone. So of course, eyes still shut, I reached for. . . . [Read more…]

Filed Under: Artist Studio Visits, Living With Art Tagged With: art in interiors, artist home, artist studio, fabric artist, island life, museo gallery, Patti King, shibori, whidbey Island artist

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I have been obsessed for well over a decade by the I have been obsessed for well over a decade by the line between the photographic and the drawn. This is simply a media test, or an “under drawing“ for something else, but it gave me pause. It suggests so many different qualities of mood: Foreboding, calm, dichotomy, a family photo poorly developed, the cloudy skies of the Pacific Northwest, or the fugue state one falls into after turning the pages of our days as a failing empire. “Our“ refers to those of us who live in the USA although now it should be called the DU USA, as in disunited United States. That disunity is a powerful disruptive pain that I feel daily. Also, as we phase out medicine, research, medical care, and with that presumably self-care, this was created, for those who are curious, with a cotton ball by #JohnsonAndJohnson (my father’s Swedish ancestors) on a Talens sketchbook. As I said, I’m testing. How much of the world can I take in before I shut the door and become an art nun and don’t look up until the last minute?
Sunday concentration drawing, testing a new notebo Sunday concentration drawing, testing a new notebook( and my attention span. . .)
Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.

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