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Painting with Water . . . . “don’t be afraid, be curious”

November 1, 2016 by Iskra 1 Comment

To paint with water is to go swimming out beyond the breakers. If you let yourself drift for a moment in the line between sky and sea,  if you let your body become long like a fin and your eyes go wide and light with clouds, if you completely let go you can be sure that in the next moment the current will shift and the waves will crash upon your fragile ribs and spin you into not knowing.

Painting with water is just one big risk of drowning.

To remain curious while going under takes a greater leap of faith than I am accustomed to. Working small however— wading — takes no courage or faith at all. It’s just a place to be, a tide pool. If you are tiny and the world is tiny and you are eye to eye with the barnacles on the edge of the deep blue shell this is simply happiness and why argue?

Here are three little Water Babies, eight by eight inches, that seem to have survived the surf. I am learning how to paint with acrylic ink, and I am mesmerized. It’s like you can make your own weather wherever you go.

Big Sur painting by Iskra
Big Sur

[Read more…]

Filed Under: Painting Tagged With: acrylic ink, acrylic painting, Big Sur, painting water, shell painting, water media, wave painting

Morning Pages | Contemplative Drawing Practice

September 20, 2016 by Iskra 1 Comment

metaphysik-mixed-media-iskra
Vocabulary Practice, Mixed Media Drawing © Iskra Johnson

“Procrastination and mourning are tied tightly together: for to procrastinate is to mourn the precariousness of your creation even before you bring it into the world.

We should perhaps spend more time dwelling on the rich virtuality that precedes the fall into existence. That is, after all, what true contemplation must be about: a commerce with the irreality of things, a learned habit to see them from the privileged perspective of their pre- and nonexistence. Rather than get caught up in the misleading appearance of the material world, we transport ourselves back to a moment when the world, with all its holes and imperfections, hasn’t happened yet.”

— Costa Bradatan, From The Stone, New York Times, September 17, 2016

When I read “Why Do Anything? A Meditation on Procrastination” this weekend I wept with recognition. Accompanied by an exquisite illustration by Leigh Wells, the piece cuts right through to the contradictions and poetry of the  contemplative state. [Read more…]

Filed Under: Drawing, Meditation & Buddhism, Mixed Media Tagged With: contemplative drawing, costa brandatan, mixed media, morning pages, natalie goldberg, procrastination, the stone

New Art from The Garden, or, How I Learned to Get Over Myself and Love Flowers

August 29, 2016 by Iskra 3 Comments

What kind of fool plants flowers in late July, when the temperature is scalding and the dirt has become so dry it has closed like a fist and refuses even the longest kiss of the sprinkler? That would be someone who comes late to the love affair of flowers, someone who held out until the last minute against their invitation. That person would have said, “I hate orange and pink together.” “Flowers are banal.” “Flowers are so obvious, and they have no bones in winter. I’m a winter person.” And lastly, “Flowers will break your heart.”

This is very true. Just now I have been standing in the pungent dust with my garden hose wondering how many more times I will have to water the ailing flock of pink cosmos and orange rudbeckia until they stop falling over. I have snapped off countless dry husks from the daisies as I embrace the ruthless ritual of “dead-heading.” I have wept at the delicate hydrangea that refuses to thrive no matter how much shade and water and worry I offer. Yet every time I open the front door my heart is flustered all over again by the canna, the petunia and the dazzling blue lobelia. True: your heart breaks, again and again, but that doesn’t seem to matter once you fall into this kind of love.

 

cannalilly-garden [Read more…]

Filed Under: Prints, The Garden Tagged With: artist's garden, botanical prints, flower gardening in the northwest, iskra shows in September, magnolia, mixed media art

The Artful Life: A Visit with Patti King

June 20, 2016 by Iskra 6 Comments

An artful life

With the Solstice the weather in Seattle has shifted full-tilt into summer. It is hard to go inside and work in the studio when the sky opens to a clear blue. Today I am taking time away from work to reflect and write about influences and inspirations, in particular the  inspiration that comes from time spent with other artists in their studios and homes.

To prepare my mind for a writing project I like to close my eyes in the garden under the dogwood tree by the pond. There, as prisms of light sift down through the leaves onto my eyelids, I can let my thoughts wander until, with a few nudges, they begin to collect around a subject and form into sentences. This morning before starting the process of contemplation I had begun to eat an apple, and I took it with me and set it down on the arm of the chair. I settled back and drifted on the breeze of summer sounds: the clatter of lawn mowers, the whir of dragonflies and the soft shush of pampas grass. A thought emerged and with it the immediate habitual impulse to reach for my phone. So of course, eyes still shut, I reached for. . . . [Read more…]

Filed Under: Artist Studio Visits, Living With Art Tagged With: art in interiors, artist home, artist studio, fabric artist, island life, museo gallery, Patti King, shibori, whidbey Island artist

Iskra in Prints Today at SAM Gallery

May 30, 2016 by Iskra Leave a Comment

View Corridor, archival pigment print by Iskra Johnson
View Corridor, limited edition archival pigment print, 20 x 49 inches, © Iskra Johnson

 

PRINTS TODAY | CONTEMPORARY PRINTMAKERS

Wed June 8- Thu July 7

Reception Thursday, June 9th, 6-7:30 PM

SAM Gallery at Seattle Art Museum, 1300 First Avenue, Seattle WA 98101

 

It’s about time printmaking got some love in this town, and I am happy to say it’s big love! On June 8th Seattle Art Museum opens its much anticipated show “Graphic Masters: Dürer, Rembrandt, Hogarth, Goya, Picasso, R. Crumb. In conjunction,  SAM Gallery launches “Prints Today,” featuring six contemporary Seattle printmakers including Troy Gua, Rachel Illingworth, Curt Labitzke, Stephen Rock, Kate Sweeney and myself. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Prints Tagged With: art openings seattle, Contemporary Prints, Iskra shows, prints Today, SAM Gallery, seattle art events, Seattle artists

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Iskra Fine Art Blog

the creative process | conversations with artists | the contemplative impulse in art

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Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.
The train tracks that go along Golden Gardens and The train tracks that go along Golden Gardens and pause briefly at the locks create a rupture in the city landscape. When the trains go by, the roar and squeal is like a thousand wild animals let out of their cage, and the ducks in the pond at the edge of the park shudder and dive under the water. A little farther north at Carkeek there is someone every year who steps in front of the train and whoever witnesses that is never the same. 

Sometimes the cargo containers are filled with coal, uncovered, and I have been part of demonstrations, which included polar bears and Orcas, objecting to that. Now, as we are being asked to casually accept nuclear reactors on every block as the price of having artificial intelligence, coal and its simple visible dust might look a little more friendly. The train brings with it economics and politics and life and death and class and all the people on the beach are just trying to have a moment in the sun. And the boaters at the marina, if they have finished polishing and descaling and mending the sails are lying back with a guitar and getting lost in the mountains. If you are willing to live right next to the train tracks, you can pay a much lower price for your home, but your dreams will change. I have lived next to the train tracks when I was very, very small and every night I woke up screaming and ran across the floor in the beams of the streetlight looking for safety. I have woken up in a train yard on a bed of cardboard and gotten on the train in the dark. Only when you do that, do you know just how hard metal is.

I’ve been drawing recently from life and this study was done from a photograph. It drove me crazy trying to see details that I couldn’t really see and feel them with the pencil. I’ve abandoned the drawing for now, but I learned a great deal about perseverance and obliteration and re-perseverance. Also how machines pretend that they are perfectly symmetrical and are not. And when you don’t draw them with perfection, they look just plain wrong so you have to make them more perfect than they are, at least when they are in perspective.
Tonight’s abandoned bird. The next one will be bet Tonight’s abandoned bird. The next one will be better. I’ve never tried to draw a Robin before. I’ve been obsessed with them since David Lynch sent them over to my childhood house, where they spent day and night getting drunk on the holly berries outside the kitchen window. And if you don’t know what I’m talking about google Laura Dern, Blue Velvet. And the Robin. It’s a hymnal to the good and the normal, done absolutely abnormally. I am learning all kinds of amazing things about how Robins build their nests. They start with mud. I did not know this. And in a drought, they will drag straw into a birdbath to get it wet and then drag the straw over a wormhole. Robins build their nests in the most unlikely places: drain spouts, highway overpasses, really bad motel parking lots. It’s kind of like how people find third place in community, even in the bleakest places. A franchise McDonald’s where people become regulars and always get the fries and just the fries because that’s all they can afford is a similar statement of naive valor: people talking to strangers and becoming known and taking shelter where they can. And if they leave a shredded napkin out there by their car, it will end up woven in with the straw and the leaves and the cigarette butts perched up there in the nest on the backside of the billboard.

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