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The Artful Life: A Visit with Patti King

June 20, 2016 by Iskra 6 Comments

An artful life

With the Solstice the weather in Seattle has shifted full-tilt into summer. It is hard to go inside and work in the studio when the sky opens to a clear blue. Today I am taking time away from work to reflect and write about influences and inspirations, in particular the  inspiration that comes from time spent with other artists in their studios and homes.

To prepare my mind for a writing project I like to close my eyes in the garden under the dogwood tree by the pond. There, as prisms of light sift down through the leaves onto my eyelids, I can let my thoughts wander until, with a few nudges, they begin to collect around a subject and form into sentences. This morning before starting the process of contemplation I had begun to eat an apple, and I took it with me and set it down on the arm of the chair. I settled back and drifted on the breeze of summer sounds: the clatter of lawn mowers, the whir of dragonflies and the soft shush of pampas grass. A thought emerged and with it the immediate habitual impulse to reach for my phone. So of course, eyes still shut, I reached for. . . . [Read more…]

Filed Under: Artist Studio Visits, Living With Art Tagged With: art in interiors, artist home, artist studio, fabric artist, island life, museo gallery, Patti King, shibori, whidbey Island artist

Iskra in Prints Today at SAM Gallery

May 30, 2016 by Iskra Leave a Comment

View Corridor, archival pigment print by Iskra Johnson
View Corridor, limited edition archival pigment print, 20 x 49 inches, © Iskra Johnson

 

PRINTS TODAY | CONTEMPORARY PRINTMAKERS

Wed June 8- Thu July 7

Reception Thursday, June 9th, 6-7:30 PM

SAM Gallery at Seattle Art Museum, 1300 First Avenue, Seattle WA 98101

 

It’s about time printmaking got some love in this town, and I am happy to say it’s big love! On June 8th Seattle Art Museum opens its much anticipated show “Graphic Masters: Dürer, Rembrandt, Hogarth, Goya, Picasso, R. Crumb. In conjunction,  SAM Gallery launches “Prints Today,” featuring six contemporary Seattle printmakers including Troy Gua, Rachel Illingworth, Curt Labitzke, Stephen Rock, Kate Sweeney and myself. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Prints Tagged With: art openings seattle, Contemporary Prints, Iskra shows, prints Today, SAM Gallery, seattle art events, Seattle artists

Mood Indigo: Under the Influence

April 13, 2016 by Iskra 1 Comment

Kimono-SAAM

Last Friday I attended the opening of Mood Indigo at Seattle Asian Art Museum. It was a beautiful spring evening, the sky luminous over the park, and inside the refined Art Deco building everything shimmered in pale shafts of daylight and the flicker of blue votives. The museum’s refined and stately ambiance makes any event an occasion, although curator talks can sometimes plunge me into deep states of cultural narcolepsy. Not this time! To hear curator Pam McClusky speak is to go to Burning Man without leaving your chair. As she told the story of Indigo she took us on a riveting journey through ancient civilizations and exotic lands, weaving history, myth, poetry and metaphor into a dazzling tapestry. In this exhibit her wit and insight is evident throughout, and every caption is worth a study. [Read more…]

Filed Under: Digital Collage, Iskra Shows, Upcoming and Past Tagged With: art and politics, Buddhis art, heron, mood indigo, printmaking, REbecca Solnit, Seattle Asian Art Museum, water image

Ode to Beauty: New Contemporary Botanicals

February 28, 2016 by Iskra Leave a Comment

Hydrangea contemporary botanical art on plaster by Iskra
Logic Study, with Hydrangea, mixed media on Venetian plaster, © Iskra Johnson,

Early spring has brought torrents of rain, warm Chinook winds and precipitous bloomings to the garden. Tulips, plums blossoms, the wild yellow flame of the forsythia, a riot of colors and scents that inspire bursts of energy and shifting moods.

I have two very different shows coming up this spring with radically different themes. There is a method to the madness, as I go back and forth between the grime and grit of urban construction sites, the urban streets, and the refuge of nature. Both series are about the interplay of structure and surface, and the narrative of impermanence. With both subjects I use my camera to capture moments on the edges of transition. [Read more…]

Filed Under: Mixed Media, The Garden Tagged With: art process, contemporary botanical art, mixed media botanical, venetian plaster, watching paint dry

New Visual Approaches to Architecture and Space: Dwell

February 9, 2016 by Iskra Leave a Comment

I have started a new set of prints about urban displacement and place, titled “Dwell.” Here are the first images, as I look at a city in flux through different visual languages.

 

Relocation-Plan-Dearborn-Iskra-Print
Relocation Plan: Dearborn Encampment

[Read more…]

Filed Under: Architecture & Sense of Place, Construction/Reconstruction, Prints Tagged With: architecture, archival prints, construction, seattle boom, space, visual language

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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