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Eat Dessert First….What Would Eve Say? The Winter Show at Museo

January 10, 2022 by Iskra Leave a Comment

Elves in a sugar coma

When Museo Gallery announced “Eat Dessert First” as the theme for January’s show I was not enthused. You may be one of the millions of the happily deaccessioned who, exiled from the office, went home to become the master sourdough bakers you’ve always wanted to be. I however haven’t cooked dinner since March 2020. Since then I have been living on Purell cocktails and roasted cashews. How would I be able to tell which comes “first” when I still have not been able to distinguish the days of the week much less my “meal times”—? For two years it’s been a desert of silent meals spent doom-scrolling with a napkin, a votive candle and my phone, and waiting for the world to stop turning in the wrong direction. Appetite. Hmmm.

Nonetheless, I spent a lifetime as a designer taking assignments I didn’t want to do. My training is to catch whatever stick is tossed out and carry it back to whoever threw it. And so I thought about my resistance to this title and worried it, word by word, into the snow-frozen ground. For my personal holiday hashtag I took #sugarcoma, and looked for every situation in which it might apply. Against all odds, which included an alert from the state that I had been exposed to Covid and an emergency test on the morning of Christmas Eve, I had, astonishingly, a picture-perfect and rhapsodic Christmas surrounded by family, throughout which I ate spritz cookies and chocolate for breakfast. For three days I walked in a happy trance from the Betty Crocker cookbook to the cookie tins with their waxed paper petticoats peeking out. When you are an adult home for Christmas after two years of absence nobody says you can’t eat dessert first, or for that matter all day. There is no more perfect state than sitting in a rocker with a blanket and a book after three salted caramels watching snow fall just on the other side of the Christmas tree.

Mulling over the pleasures of indulgence, the ever-lurking punishments of guilt, and the lucrative self-help industries that promise to lead us not into damnation but into boundless self-love, the riddle of the title became clear. It’s the parable of all time. Eden, Eve, and the Apple: The First Dessert. [Read more…]

Filed Under: Botanical Art, Collage, Iskra Shows, Upcoming and Past, The Garden Tagged With: 2022 Arts Pacific Northwest, botanical drawing, collage art, Eat Dessert First, museo gallery, The Fall, The Garden of Eden

Iskra at Building C Open Studios Holiday Sale, December 4th

December 1, 2021 by Iskra Leave a Comment

A Suspended Structure, ©Iskra Fine Art

I am excited to be part of the Building C Open Studios this year, courtesy of AJ Power, who is hosting me as a guest artist in his studio on the second floor. I adore AJ’s work, and have had one of his magic bird images hanging on my wall for years. Building C is located at Leary Ave NW & 14th Ave NW in Ballard, “the big brown warehouse across from the Ballard Office Max.” Ample parking in the adjacent lot or on-street, enter on 14th Avenue. Building C is a hive of talent in many media, including painting, ceramics, jewelry and clothing from 24 artists. Open Saturday, December 4 from 12-7, masks required.

I will be showing work from the last two years of explorations in collage, photography and mixed media, as well as some brand new pieces. Most of the work has never been publicly shown outside of my blog or Instagram. I’m curious to get your eyes on it and see what you think! 

I have had requests recently for small works for gifts and small spaces, and so this year I am trying something different, with a new selection of framed pieces ranging in size from 6 x 6″ to 12″ as well as limited editions of prints on 13 x 19 and 8.5 x 11. For those who missed previous open studios where I offered my Venetian plaster botanicals, the remaining pieces will be here as well. Unlike a thematic show this is a chance to see every non sequiter and direction my artwork has explored, from the amber moods of the Sweet Old World to the blazing color and disrupted space of my architectural and maritime work. Below is a tiny sampling. 

The Nest print by Iskra
The Nest, ©Iskra Fine Art

[Read more…]

Filed Under: Iskra Shows, Upcoming and Past Tagged With: BuildingC Holiday Open House, Iskra holiday sale, Iskra Open Studios, Seattle Arts 2021, Seattle Open Studios December

Recent Monoprints and an Upcoming Show

June 25, 2021 by Iskra Leave a Comment

 

Color Theory Painting Studies Iskra
Color Studies, Studio Work

As we emerge from the pandemic into summer I have good news to report: Seattle Art Museum and SAM Gallery are close to fully reopening! I will be part of a group show in late summer with two other printmakers, Tallmadge Doyle and Jueun Shin. In conjunction with SAM’s Monet exhibit the theme will be water, which I am guessing you may welcome after what could be some very hot months ahead. As post-pandemic plans finalize it is best before visiting to call the gallery and shop (206.654.3120) to learn the latest updates on procedures. At this point access is available Wednesday-Sunday 10-5 without a museum ticket, although the museum website does not yet reflect this.

Water is also the theme of a piece selected for the exhibit Art in the Time of Corona, which features my piece “Ledger” on Artsy.  The goal of this innovative project is to record and exhibit defining artwork created during civil uncertainty. The hope is to unite viewers and help them find the sanctity, comfort and inspiration needed to heal a world in turmoil.

Over the past six months I have been sorting ideas and directions and keeping my studio practice focused on process. Printmaking has been a throughline of all my work for decades, and as part of my year of media exploration I decided to take one more look at “old fashioned” printing with a press, using water-based Akua inks. With help from an associate in Seattle Print Arts I set up my Baby Richeson press, which has been sitting neglected in a dark corner for nearly 20 years. It was mesmerizing to combine the folded paper collage I started doing earlier this year with the press, and I often found myself printing until 1 or 2 in the morning, experimenting with drypoint, monoprint and various forms of chine collé. Very few of these pieces will ever see a public wall, but the interplay between developing ideas in drawing and watercolor and then moving to a the press will be useful for years to come.

Wave Patterns Monoprint by Iskra
Wave Patterns: a monoprint created with Golden Paints open acrylic. Open acrylic is completely amazing. As I struggled with the Akua inks and their honey-based chemistry, which seems to not-dry, like – ever?, I turned to paint instead. I love the fluidity of this modern medium, and its sensitive mark-making possibilities.

[Read more…]

Filed Under: Digital Collage, Drawing, Iskra Shows, Upcoming and Past, Painting Tagged With: American Flag in art, Duwamish landscape, harbor island, industrial art, Iskra printmaking, Iskra shows, monoprints, SAM Gallery reopens, the golden hour

Iskra in A Wing and A Prayer at Museo Gallery

January 19, 2021 by Iskra Leave a Comment

A Wing and a Prayer at Museo Gallery

I am excited to be part of A WING AND A PRAYER opening at Museo Gallery January 20th, with artists Elena Korakianitou, Michael Dickter, Faith Scott Jessup and Jean Whitesavage.

“A celebration of our ultimate optimism for our world, our embrace of transformation, and a recognition that we may need a little divine help along the way.  Opening on a significant day both politically and astrologically, January 20th,  Museo hopes that this show will encourage peace and hope.”

Museo is open 11-6 Thursday through Monday.
Tuesdays & Wednesdays by chance, or by appointment.

The show will continue through March 1st.

MUSEO GALLERY
215 First Street | P O Box 548
Langley, WA 98260
360.221.7737
museo@whidbey.com

I will be showing my recent series of limited edition images based on statues of angels, some available framed or mounted on panel, and others available unframed at the gallery or through the Gallery website. The language of statues is one of many ways I’ve explored the distance between sky and earth. This piece, a variation on the myth of Icarus, will be available at the gallery to see in person.

Icarus 3 by Iskra
Icarus 3, © Iskra Fine Art, variant edition print, several sizes, available to see now at Museo.

If you have the time to make a day of it I suggest a walk on Double Bluff. Eastern clouds may take their shape from the land, but island clouds listen only to the sky.

Cloud forms at Double Bluff Whidbey Island by Iskra
Cloud Forms, Double Bluff ©Iskra Fine Art

Filed Under: Iskra Shows, Upcoming and Past, Photography, The Spiritual in Art Tagged With: A Wing and A Prayer, angel art, Celestial themes, Double Bluff Beach, Iskra Fine Art Gallery shows, Langley Art Shows, museo gallery, wings

Iskra Fine Art #100DayProject and the Garden Show at Museo

March 30, 2020 by Iskra Leave a Comment

The Space Between Train Collage

(See the Motion version on Instagram.)

It has been only 20 days since I last wrote here, and yet in that time the world is completely changed. Millions of people across the globe are now confined to their homes as modern life as we have known it shuts down in the face of the corona virus. The profound sense of isolation in the studio, combined with the media’s constant drumbeat of dystopia pushed me for several weeks close to despair. Forced to look at the books on my shelves (and consider reading them) I came across Milan Kundera’s The Unbearable Lightness of Being. In it, the draft of a calligraphic treatment of a quote: A single metaphor can give birth to love.

With galleries closed and shows delayed or cancelled, and with a sense of life or death urgency and helplessness heavy in the air, motivation for working in the studio has been in question. But the quote, and its tissue paper flourishes, lingered in my mind. I think it was its echo that led me to realize that this is the time, after years of thinking about it, to take on #The100DayProject. Under house arrest in my pajamas, there is no escape. And certainly nothing to lose.

The One Hundred Day Project was first introduced in 2007 by designer Michael Bierut as a challenge to his graduate students at Yale. The outlines were simple: “Do a design operation that you are capable of repeating every day. Do it every day for one hundred days.” The project was brought onto social media by Elle Luna in 2014 and has become a platform for reinvention with global reach through Instagram.

[Read more…]

Filed Under: Botanical Art, Collage, Drawing, Iskra Shows, Upcoming and Past, Iskra Sketchbooks & Journals, The 100 Day Projects Tagged With: #Artinisolation, #covidcollaboration, #social distancing, #the100DayProject, Iskra shows, Museo Gallery 2020, The Unbearable Lightness of Being

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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